Friday, May 12, 2017

The Northman Saga: Prince Dead $.99 Promo

Now through Friday 19th Prince Dead will be on sale on Amazon for $0.99! 



Ireland 816 AD

In the dark of night, a Viking warship lays anchor. Ninety warriors besiege a village, lighting its huts aflame and pillaging its monastery. No sooner are they heavily laden with loot than a great storm arises, quenching their fires. They watch, helpless, as their ship is pulled out to sea and smashed to splinters against the cliffs.

Stranded in a foreign land amongst the rubble of their own destruction, caught in the midst of a war not their own, and facing a harsh winter, the Vikings do not fear, for they follow Yngvarr in Feigr…

Prince Dead

Free previews are available on my blog or through Amazon. As always, Prince Dead is free to read through Kindle Unlimited.   

Tuesday, May 9, 2017

The Colonial Kitchen

My latest novel will be set at the dawn of the American War for Independence and a great deal of the action will take place in the home of the protagonists. We all know that the kitchen is the heart of any home, and it was no different in the 18th century, so I have been doing a little research to make my setting as accurate as possible.

The greatest differences in the style of fireplaces and hearths in this era were dependent on wealth more than cultural or geographic variation. The wealthy might have a separate kitchen where the fireplace could be built up to eight or ten feet wide with a cast iron fire back to protect the hearth from the extreme heat. Contrary to popular imagination, there was not often a giant, roaring fire set in these huge fireplaces. Instead, multiple, small fires of varying intensities would be lit and utilized rather like multiple burners on a modern stove. These fires could be built on andirons or grates. A metal crane would have been used and, with no expenses spared, could have swung on an arm toward or away from the fire, held multiple cauldrons, and raised and lowered them to various settings. A small army of servants or slaves would have attended an array of copper, brass, and iron cauldrons, fry pans, dutch ovens, spits, roasters and even waffle irons.

It was not unusual in this era for all cooking to be done over fire, though separate ovens were sometimes built, particularly in these wealthy homes. Ovens were beehive shaped and constructed beside or below the main fireplace. When beside the fireplace, there was sometimes space to build in a warming oven beneath the baking oven. The oven door could be wood alone or wood backed with metal. These ovens were utilized by first lighting a fire inside until the desired temperature was reached, then scraping out the coals, quickly mopping out the ashes, and then placing the food to be baked inside. This process could take anywhere from one to three hours. A clever cook could use the oven to cook multiple things requiring different temperatures by arranging the order of the items to be baked. In other words, one might start off with a crusty loaf of bread requiring high heat, followed by pie needing medium heat, and finally a crock of baked beans could be made with the residual heat. Here is a great video on baking bread in this style of oven, although this particular oven is outdoors.

My characters are a couple of young farmers who have fallen on hard times, so like most people of their position in this era will not have an actual "kitchen". Their home consists of two rooms: a bedroom and an "everything else room". It is in this main room that the food preparation will take place (along with things like emergency surgeries, gun running, and spying... but never mind about that.)

The fire was all important, cooking all meals and warming the house, so for poor people, the fireplace, hearth, table, and shelving could make up half or more of the entire house. They burned any and all wood available to them. In these houses, the cook would not have had access to a plethora of cooking accessories. Instead, a single "lug pole" (a pole cut out of green wood and used in place of a crane to hang pots) and perhaps a skillet, cauldron, kettle, and Dutch oven would have made do if you were lucky. In the south, corn cakes might be baked on the iron end of a hoe and, therefore, called hoecakes. In the north, they were baked on wooden bannock boards and called bannock cakes. You can also see in the painting below a hanging rack which was essential for hanging freshly butchered meat.

If you are wondering if hanging your heavy cauldron from a wood pole over a hot fire, baking your cakes on wooden boards, and having a wooden door to your oven might be a little dangerous, the answer is yes. The lug pole sometimes came crashing down, cauldron, hot soup and all. The bannock boards did not last long and might catch fire if the cook was not watching. You could soak your oven door in water before baking if you were fortunate enough to have the available water and container to do so, but you didn't count on it lasting long. And yes, skirts did occasionally catch fire, although the natural linen and woolen fibers of the period would usually smolder rather than catch flame and the smell would alert their wearer to the danger before any serious damage was done.

The upside to all of this? Food probably tasted better. It was very interesting to hear Ruth Goodman explain her trials and tribulations with a "new and improved" coal cook stove in Edwardian Farm after watching her cook over open fires and smoldering coals for Tales from the Green Valley and Tudor Monastery Farm. Her explanation was that while wood smoke tastes amazing and you almost want to encourage it to get into your food, coal smoke is disgusting and must be kept from the food at all costs. To put is simply, imagine eating barbecue all year every year.

Monday, May 1, 2017

Body in the Bog -- Tollund Man

When digging in the Bjaeldskovdal peat bog in May of 1950, two brothers and one of their wives stumbled upon a corpse. Under more than six fit of peat, it lay in the fetal position, a cap still on it's on head and a rope still tightened around its neck. The face was that of a man, his stubble and wrinkles still evident, his expression strangely peaceful. Besides the pointed, sheepskin cap, a wide belt around his waist, and his noose, the body was completely nude. Believing they had discovered a recently murdered man, the family notified the police in Silkeborg, Denmark.

Unable to determine a time of death, the police eventually brought in archaeology professor P.V. Glob to assist. His findings? The acid and lack of oxygen in the peat bog along with cold Scandinavian temperatures had preserved the body for over 2,000 years and it had likely been placed there as a ritual sacrifice.

Monday, April 24, 2017

Rennaissance Beanies?... The Monmouth Cap

 While I was looking at Youtube videos the other day, I stumbled across a scene from AMC's Turn, Washington's spies. In it, the main character, Abraham Woodhull, played by Jamie Bell, wears what looks like a gray beanie.

While researching for my historical fiction novels, I have learned never to assume something is an anachronism. So many styles, inventions, etc. predate our assumptions. So, curious, I decided to find out what I could about knit caps in the eighteenth century.

Sunday, April 16, 2017

Historical Hair Care, Part Six, The Experiment

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"Have we met before? I recognize your hair."

It's a question I have been asked more than once in my life and it probably sounds a bit odd to you. I have a massive amount of extremely curly hair which, until about eight months ago, was hip length. My hair has always been a bit of a mystery on how best to handle. Nobody else in my family has it. Coarse, dry, and bushy, it made me the subject of relentless taunts in school. It regularly ate hair brushes, snagged on any object within a two-foot radius, and consumed family-sized amounts of No-More-Tangles.

Friday, February 17, 2017

Historical Hair Care, Part Five, The Victorian Era

As we move into the Victorian Era and the Industrial Revolution, we get a much better understanding
of hygiene, and hair care in particular. Ladies periodicals of the time as well as recipe books and manuals give detailed advice and some information even pops up in novels and advertising campaigns. As always, a woman's hair was her crowning glory and, in an era which largely shunned makeup, it was given a great deal of attention by ladies seeking to maintain their good looks. The general idea seems to have been the longer and thicker the better. At right is Miss Aline Vallandri, an opera singer so famous for her hair that some people attended her concerts simply to see it.

It seems that most commonly in this era, the hair was washed with a gentle vegetable soap, no oftener than once a week and sometimes as seldom as once per month.

“To cleanse the hair, there is nothing better than soap and water . . . the soap, of course, should be mild, and well and plentifully rubbed in, and afterwards thoroughly removed with an abundance of water”-- Hints on Health, 1852

“Many heads of hair require nothing more in the way of wash than soap and water” -- Decorum  1879

“Supple moist oily hair may be washed every eight days with lukewarm water. Light hair, which is seldom oily, and the fineness and softness of which obviates the use of pomades, rarely requires washing. But a little honey dissolved in a very small quantity of spirit, scented with rosemary, &c. is an excellent substitute.”-- Mrs. Walker, 1840





Friday, February 3, 2017

Historical Hair Care, Part Four, The Renaissance

After the great catastrophe of the black plague a school of thought came into being that bathing was dangerous because it “allowed the venomous airs to enter and destroyeth the lively spirits in man and enfeebleth the body” (Thurley).

So, it would seem that both the body and hair were washed less frequently during this period than before. We know, for example, that King Henry the XIII in his later life stank, though on medical advice he would take "medicinal, herbal baths" in "a large square lead cistern full of water in which he bathed; the water comes from Rosamund spring, is cold in summer and warm in winter.” (Thurley) His daughter, Queen Elizabeth the I was known to bathe twice per year, a practice which does not appear to be frowned upon.

Scented soaps, the best of which were the Castille Soaps made purely with olive oil, were available to the rich whilst the poor made due with coarser animal fat soaps. It is likely this is what the hair was washed with, however infrequently. Scents came in a wide variety of type and cost, from light florals to fresh mints and heady musks.

Lice and fleas were rampant and vinegar was used to combat them. Interestingly, when one washes their hair with soap the scales along the shaft are raised due to the alkaline nature of the lye. This can lead to a rough, tangly feeling. If, however, this is followed up by an acidic vinegar rinse, the scales are closed and the hair feels conditioned. If this did not work, some of the higher class took to shaving their heads and donning wigs.

Fine-toothed combs were still in common and daily use. The Young Children's Book (c. 1500) advises, "Arise betimes from your bed, cross your breast and your forehead, wash your hands and face, comb your hair..."The picture at right is a collection of double-sided combs found in the remains of the ship Mary Rose which sunk in 1545.

Following the late Medieval period, women's hair continues to come out from under its coverings and up into more and more elaborate styles. During the earlier part of the period ornate wimples, beaded snoods, and decorated cauls somewhat covered the hair of the wealthy, whilst the poor stuck with simpler cauls and scarves. Later, braids and coils begin to take on the softening benefit of curls worn loose at the back and sides. Long hair worn loose became a sign of purity and virginity and as such was often seen worn by brides on their wedding day.

Meanwhile, the men took to shaping their beards in various styles whilst the hair was generally worn short. In 1619 The School of Virtue admonished men:  "Thy head, let that be combed and trimmed,Let not thy hair be long; It is unseemly to the eye, Rebuked by the tongue."


As in previous centuries, blonde hair was highly prized. Both simple sun-bleaching in crownless hats and a variety of home-brewed concoctions were used to achieve golden and red-gold locks. These could include everything from alum to human urine. Likewise, homemade tonics and pomades were concocted to aid in the condition and styling of the hair.

I chose, in So Many Secrets, which is set in the very early Renaissance to include a conversation between the women on whether or not the hair ought to be covered during a Masquerade ball. The conclusion? Maybe, but only as little as possible.

Historical Hair Care, Part One, Introduction
Historical Hair Care, Part Two, The Vikings
Historical Hair Care, Part Three, The Medieval Era
Historical Hair Care, Part Five, The Victorian Era
Historical Hair Care, Part Six, The Experiment